But the absence of a rider is in keeping with Marc's own belief in the supremacy of animal spirituality over that of humans. Who, following theosopyical practice, employed three instead of four horses as reflective of the apocalypse. That Marc had employed four horses in his earlier composition of the Lenggries Horse Painting and reduced the number to three in 1911 may reflect the further influence of Kandinsky, In the idea of spirituality battling materialism. Later, in the apocalyptic Fate of the Animals, 1913, similar treelike forms fall on various animals causing their death.īlue Horses in symbolically bound to certain of the originating conceptions of the contemporaneous Blue rider group: in the symbol of the horse as a vehicle of breakthrough, in the emphasis on the spirituality of blue, and Present in Kandinsky's work, yet remain treelike in character. These recall the long, abstract, free-floating lines that were frequently In contrast to the Yellow Cow framed by four black tree trunks or branches, the horses are encircled, almost like a halo, by a pair of white lines. Compositionally, the animals are more fully integrated with a hilly landscape than was the case in Red Horses. The group of animals is rather awkward and bulky, as they are bunched in a small,Ĭonstricted, entirely blue area, with the viewer's vantage point close to the action. ![]() Lenggries Horse Painting for the pose of the animals and for the semi-circular arrangement, with all pointing to the left. He was killed by a piece of shrapnel in 1916, during the assault on Verdun, despite his fear and hatred of war.Following Red Horses and Yellow Cow, Marc completed his suite of monumental, primary-color compositions in 1911 with The Large Blue Horses. While Franz Marc's art often portrayed security, serenity, and spirituality, his life took a much darker turn. The young horse in this painting does seem to exist on a more spiritual plane than our own. Horses especially represented a freedom and purity of spirit.Ĭombining animals with specific colours, he was able to convey these sentiments to the viewer. Franz Marc chose animal subjects for his paintings because to him, they represented innocence, an existence before the fall of Eden. They built critical acclaim for their live performances and have been described by Allmusic as 'one of the roots scene’s most exciting live acts.' The. Indeed, looking at Blue Horse, the young, masculine horse tilts his head, as if in sensitive contemplation. The Bluehorses (also known as The Blue Horses) were a Celtic rock band from Cardiff, Wales, blending a mixture of rock and electric folk, and notable for being fronted by two fiddle players. Red is matter, brutal and heavy and always the colour that the other two must oppose and overcome!” ![]() Yellow the female principle, gentle, gay and sensuous. This is not only due to Marc's extensive knowledge of animal anatomy, but also because of his remarkable use of colour.Īs Marc explained in a letter in 1910, “Blue is the masculine principle, astringent and spiritual. Each painting of his animal subjects is deeply emotional. Not only was he fascinated by their anatomy and environment, but also by their rich inner worlds. Marc showed several of his new paintings at the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich in late 1911.įranz Marc was captivated by the study of animals. Marc and fellow artists in the group, such as Macke and Kandinsky formed an artist's circle which was focused on the importance of colour, expression, and symbolism.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |